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PROCESS

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Intangible not only deals with the questioning of time but how we are about to see a period of time within a second 

Intangible
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Translation deals with the idea of transitioning our 3d perspective into 2d perspective through our daily movements such as walking, jumping and dancing. Using the medium of dance and powder to translate that movement onto the canvas

Translation
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Visual Sound plays with the idea of how can we identify sound via visual, By focusing every note and pitch to a certain colour, we are able to translate that sound to become a visual representation. The why its played and technic comes from the way the colours are spread throughout the water almost like dancing to the music

Visual Sound
Translation
Intangible
Translation
Visual Sound
Primer 1
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Primer 1 Part 1 takes on the direction of the project, it creates the emotion and ideas of how the work should and would become

Primer 1 (Part 1)
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Primer 1 Part 2 emphasis on the finer detailing and how the object can be brought to life. The different ways sketchup can help a user in their projection of works.

Primer 1 (Part 2)
Primer 2
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Primer 2 Draft 4
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Primer 2 Part 1 is where I experimented with the different forms and spaces to create the 3 different emotions (Hopeful, Enclose & Confidence) These images show the different drafts i have created

Primer 2 (Part 1)
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A1 Board

We were given task to create a memorial outside of Changi Chapel to commemorate the fallen heros of Singapore, i decided to go with a simple but impactful design, It consist of 3 spaces which with a unique emotion attached to it (Hopeful, Enclose, Confidence) respectively.

Primer 2 (Part 2)
Case Study
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After collecting our findings of the 2 different buildings, we presented them based on "site analysis", "Concept" Floor plans" & etc... This would help us in the future as we begin creating new concepts and ideas for our future archi works.

Case Study
Dwelling
Client Profile
Site analysis
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Precedent studies 2
Precedent studies 1

The client is a sculptor who focuses on the movements of the human body which interest me as the body is one of the most expressive forms a human being can possess and execute, The site as well is on a hill side which has a certain intersting platform of the design to utilize. My building will be focused on expressing the negative and positive spaces between the building and how it relates back to the movements created by the body

Dwelling Part 2
Dwelling (Part 1)
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Detailing
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After done all the drafts and research, the form is chosen and the final touches are made

Dwelling (Part 2)
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For the final design, it revolves around the idea of negative and positive spaces with a core (Outdoor gallery) directing the building. The building is center around a negative space (Gallery) and interlock and interconnects between each other to create the illusion of a movement. The circulation starts from the entrance foyer and ends off at the end of the hill which links between the outdoor and the indoors. The visitor is also having an experience of movement as well 

Dwelling (Part 3)
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SYNCALINK

SYNCALINK aims to address the issue in Singapore of the intangible gap between the youths and the elderlies, The idea of integrating teh elderlies, youths, greens and communication are drawn and designed into the spaces. Elements such as overlooking spaces, interconnecting spaces and framing are present in the building as well, this is to allow viewers to feel the sense of community and village like feeling of the building to feel as if they are integrated and belong to the space as well.

SYNCALINK
Sejansar
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Sejansar comes from the word Sein, Jalan & Besar which means wide art road, The building is designed in a way that jalan besar road spirals up through the building allowing the freelance artworks and outdoor gallery spaces to be present around the building. Surrounding the building would be the offices where interacting with these creative industries are able to do so.

SEJANSAR

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PLEASE CALL OR EMAIL US:

Tel: (+65) 83683699

Email: christjianhao@gmail.com

© 2014 by TAN JIAN HAO

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